This blog is temporarily on hold from now through the end of the month as my time will be dedicated to working in the social media department of the DNC.
I’ll be back in early August with more blog posts. In the meanwhile, my twitter- @softpowerpunch, will still be active as I’ll be commuting quite a bit.
Today, NHK and BBC are running stories about young adults in politics, but the pictures are very different. In the UK, Millennials are feeling the Brexit burn, while 20-somethings in Tokyo are disengaged from politics and passive towards policy changes.
X-men: Apocalypse was released in North America last month. The film misses the mark on many of its lofty ambitions. The actors are sincere but their characters are not compelling for those who haven’t seen the previous films (recently). The settings and scenes jump from continent to continent, creating a quasi-fast pace for a story that doesn’t make much progress until an hour in. The themes and messages are numerous–too much commentary is conveyed all at once–making the point of the film rather messy until the very end.
However, fans of the series will find it engaging and dense. We see a smooth and thorough development of the characters who play roles in the canonically later films. (This series parallels Star Wars, with a primary canon trilogy being released first, followed by a subsidiary prequel trilogy.)
The biggest missed opportunity would be the inclusion of the lyric version of “Figlio Perduto.” The music from “Allegretto” of Beethoven’s 7th is used in the turning-point of the film and reprised in the credits. However, only classical music buffs will recognize how much depth and context the song adds to not only the emotional scene but also the overarching message of the film.
Linked via the graphic below is a lyric video explaining the significance of the song. Damnit Jim, I’m an analyst and not a videographer, so don’t judge the sophomoric quality of the video. It gets the info across. (Link also here)
Bonus: Cherik lovers will also appreciate Marc Winslow’s music video using a rendition of the song by a male singer and set to clips from “Les amitiés particulières,” a 1984 French GLBT classic film. Link: https://www.youtube.com/watch?v=zPO_nOL9WnA
The US House of Representatives are singing “We Shall Overcome” in call-response style, lead by Civil Rights Leader John Lewis. This interlude comes during the middle of a Democratic Party “sit in” to make headway on gun control legislation.
A Taiwanese, ethnic minority, children’s choir is disinvited to China after they sang the Taiwanese anthem at (Taiwan’s) President Tsai Ing-wen’s inauguration in May. The Puzangalan Choir was to travel to China in an endeavor to garner funds and visibility for a trip to an international singing competition in Hungary this fall. President Ing-wen has pledged a little over $15,000 USD when she heard about the cancellation.
Taiwan and China have a varying opinions on the sovereignty of the small island 110 miles off the coast of mainland China. However, that short distance is misleading, as Taiwanese government, freedoms, and art are leagues away from the People’s Party strict mandates in mainland China. Asian drama fans will note that television from mainland China is often overregulated to the point where the plot and characterization suffers, while Taiwanese dramas are rather enjoyable.
This political maneuvering is another example of a long string of contentious relations between Taiwan and China. It’s truly unfortunate, if not appalling, a children’s choir was the target.
The annual musical award ceremony, The Tony’s, were held last night in New York City. In reaction to the mass shooting that (early) morning in Orlando, leaving at least fifty dead and another fifty injured, host James Corden (tv show star and the Baker from this year’s Disney release of “Into the Woods,”) dedicated the night to the honor of the victims of the Pulse Nightclub shooting. Many other actors, singers, and public figures showed their solidarity with the Orlando and LGBTQ community by donning silver ribbons and rainbow flag pins. “Hamilton” creator Lin-Manuel Miranda offered heartfelt words on the red carpet: “If art is what fights tragedy, if art is what fights the void, if art helps us makes sense of violence and random acts of cowardice and killing, then tonight is important.” The Company of Hamilton performed “The Battle of Yorktown” without the customary musket props out of respect to those killed by the AR-15.
The Mayors of Orlando and Orange county reached out in a video to thank the Broadway community for “standing with us in our time of great need.”
From WikiCommons: ” ‘Lamartine, before the Hôtel de Ville, Paris, rejects the Red Flag,’ February 25, 1848. By Henri Felix Emmanuel Philippoteaux (1815–1884). Lamartine said that the red flag represented revolutionary violence, and ‘has to be put down immediately after the fighting.’ “
A new op-ed posted on the French news-site “Le Monde” today offered a cutting criticism of France’s ideas of nationality tied to ethnic background. The article delves into the twenty year history of the idea of “communautarisme,” a concept foreign to USians, which has become a pejoratif term for the subjugation of a majority to the aspects of a minority culture. (Think: the extra costs it takes for a school cafeteria to accommodate vegetarian or Halal food.) The article traces the modern negativity towards multiculturalism through the burning issue of women wearing the veil in public (in public schools, offices, etc.) and the debate it ensued in the 1990s and to recent dialogue and reactionary language to the attacks in Brussels and Paris.
While this “allergy” to “communautarism” has modern ramifications, the article’s author Anne Chemin points out that the idea of a monocultural France can be traced back to the French Revolution from 1789-1799.
Indeed, many fundamentals and symbols of French national identity are tied to monoculturalism. In the USA, we have jus soli–citizenship determined by the land upon which one is born. (Remember the debate of Obama’s birth certificate and place of birth?) In France, the system is jus sanguinis–citizenship is determined by the nationality of one’s parents (and often grandparents). Furthermore, the red of the French flag is symbolic of blood-relations. Likewise, the last part of the French motto refers to “brotherhood.” The idea of purity of blood is further cemented to primary French national identity in the repeated chorus of La Marseillaise, the French national anthem: “To arms, citizens!…Let [their] impure blood soak our fields.” (Aux armes, citoyens!…Qu’un sang impur abreuve nos sillons.) Continue reading
The third movie in the latest Star Trek film franchise launched a new trailer yesterday. Star Trek Beyond won’t premier until late July this year, but it is already hooking in the Baby Boomer and Millennial target audiences.
All Phasers locked on Baby Boomers
In an interesting shift from the previous two movies, this trailer hints that the movie will focus on the relationship between Bones and Kirk, rather than the Sprik dynamic that climaxed in Into Darkness’s role-flip of the iconic Wrath of Khan character development scenes. The entire first minute of the two minute, twenty-four second trailer is devoted to two older characters advising the young Kirk. The opening dialogue between Bones and Kirk delves into the young captain’s struggle to live up to his father’s legacy. Kirk self-deprecatingly claims “I joined [Starfleet] on a dare” and Bones corrects him, “you joined to see if you could live up to [your father].” Bones continues to advise Kirk, and the next voice added to the dialogue is that of an older woman ( 64 year old, new-to-the-franchise Shohreh Aghdashloo,) who also counsels Kirk on the dangers of space.
Later in the trailer, Dr. McCoy appears again to impart wisdom to a junior. This time, Spock claims, “Fear of death is illogical,” and once again, Bones counters the younger’s position: “Fear of death is what keeps us alive.” Continue reading
Over the July 4 weekend the New-York Historical Society will kick off its “Summer of Hamilton.”
via New-York Historical Society Plans ‘Summer of Hamilton’ — ArtsBeat
…And no one was surprised. “Hamilton” blog articles coming soon.
Photo-credit: Petras Malukas/AFP/Getty Images via BBC Culture
A piece of street art from Vilnius, Lithuania has been hitting the internet hard this week. The image depicts expected Republican nominee for the US Presidency, Donald Trump, in an unblinking embrace with Russian President Vladimir Putin. From the perspective of an artist from the former Soviet bloc, this depiction reflects a cautionary wariness of the future should Trump be elected. Internationally, its viral popularity illustrates a new dimension to the transnational dialogues on homophobia, xenophobia, and “conservative politics.”
Read more about this image:
BBC Culture Article: “a closer look at the mural reveals a level of subtle political commentary that cuts against the superficial sensation” http://www.bbc.com/culture/story/20160518-what-does-the-trumpputin-kiss-really-mean