The journalist and feminist political activist submitted a scathing critique of the state of film today in its portrayal of women. This article ran today and raised eyebrows–and awareness– to the celluloid dismissal and demeaning of women.
Swedish-based, multinational corporation Ikea recently announced multiple support programs for immigrant workers at USA-based stores. This reaction may prove to be one of many private sector responses to harsh policies we are expecting from the new administration.
Their announcement has been made public. Read it here.
ABC News has been monitoring and reporting on the situation in Syria since peaceful protests, inspired by the Arab Spring, escalated into civil war in 2011. More recently, concerns of the impact of war on the civilian population, particularly children, have been the focus of international media and war journalists. Despite a call for increased transparency into war torn areas and the need for aid organizations to be permitted there, many times foreign entities, including press or NGOs, are turned away at the border.
Since this past January, ABC News has been texting with a 30 year old, mother of five who lives in the sieged town of Madaya. This “Madaya Mom” has been an informant for ABC News, giving journalists glimpses into her daily life via text message as she tries to secure food for her children, waits eagerly for UN involvement, and simply tries to ensure the survival of her family in devastating circumstances.
After their video crews were turned away from Madaya a final time, ABC News decided to go a different route to bring visual representation to the story of “Madaya Mom,” which has been documented like a diary on their website. The news conglomerate reached out to Marvel Comics, the graphic novel company who is responsible for the Avengers, Iron Man, and Captain America franchises, to create a visual accompaniment to Madaya Mom’s story. Instantly invested in the idea, Marvel was eager to go “where the cameras can’t.” They recommended Deadpool and Avengers: Civil War artist Dalibor Talajić, who survived the Yugoslav wars in the early 1990s and currently resides in Zagreb, Croatia, to draw the scenes from Madaya Mom’s life “with skill and authenticity.”
Perhaps it is in response to the ever growing list of casualties of young African American men and women at the hands of law enforcement that choreographer Tobias Ellehammer crafted a superb dance video that inspires hope and global togetherness. “Black or White,” accompanied by the eponymous and iconic Michael Jackson hit, combines a diverse set of dancers with international settings. Watching the video, one sees modern dancers integrate flowing movement with crisp staccato snaps and pop locks progressing from dancer to dancer but also from city to city, with notable backgrounds including Moscow’s Red Square, the Sydney Opera House, and Dubai’s famous skyline.
“Black or White” is gaining traction as a viral video. The perfected dance, camera, and location moves make it as visually appealing as the upbeat theme of the video–antiracism and joy in collaborative unity–delivering a more hopeful outlook to all who watch it.
The debate over the rights of women to wear modest, full-body swimwear is spreading like wildfire over social media and news sites. Twitter and Facebook posts reached a fever-pitch after a well-documented incident involving a French Police officer ordering and forcing a woman to disrobe on a beach. Images and commentary are trending across all platforms, and mainstream media including CNN and the New York Times are offering more in depth journalism on the topic. The Times article interviews the Australian designer of the Burkini, who defends her design. She is not alone–Italian author Barbie Latza Nadeau examined the duplicitous nature of the argument, pointing out that Catholic Nuns have never been shunned from beaches for wearing conservative garments while enjoying the sea and sand.
Worldwide outrage and censure of the “Burkini Ban” continue to gain momentum, and the tide does not seem to be turning anytime soon.
Facebook: Image of French Police Officer and Woman he ordered to disrobe https://www.facebook.com/Thei100/photos/pcb.986202944825665/986202511492375/?type=3&theater
Twitter: “The Burkini Ban is Sexist and This Poignant Tweet Shows Why Its So Awful” http://www.bustle.com/articles/180372-the-burkini-ban-is-sexist-this-poignant-tweet-shows-why-its-so-awful?utm_source=facebook&utm_medium=owned&utm_campaign=feminismbustle
New York Times article “Burkini is ‘Freedom and Happiness’ Australian Inventor Says” http://www.nytimes.com/2016/08/25/world/australia/burkini-ban-france-aheda-zanetti.html?_r=0
CNN: “Police in Nice Force Woman to Remove Part of Clothing” http://www.cnn.com/2016/08/24/europe/woman-burkini-nice-beach-incident-trnd/
Italian Author for The Daily Beast: “Where is the Outrage over Nun Beachwear”
Over ten years ago, a Muslim woman created the “burkini”- a full-body, loose wetsuit that would allow active Muslim women to swim while upholding ideas of Islamic modesty. Today, the burkini is a point of contention and debate across Europe. Outright bans in Germany, backlash in Britain, and, a few days ago, runaway public censure in France, all center around the conservative swimsuit.
In Germany, the mayor of small town Neutraubling banned the swimsuit from public swimming pools under the guise of “hygiene concerns.” His claim was undermined by the rest of his statement, as he segued into victim blaming, questioning women’s choice to wear the modest wetsuit: “Why it is necessary to wear a burkini at a ‘ladies only’ evening? I don’t understand.” (Source: Express)
Earlier this year, British multinational retailer Marks and Spencer came under attack for stocking the burkini. Politicians from the EU reprimanded the marketing decision as bowing to “misogynists.” One politician, Laurence Rossignol, stated: [Marks and Spencer] are shirking their responsibilities and are promoting women’s bodies being locked up.” Domestically, there was a similar backlash in the press. Telegraph reporter Allison Pearson opined, “It is yet more dismaying evidence that our own culture has failed to stick up for itself and is allowing misogynist attitudes to sneak in under the radar.” (Source: Telegraph)
These instances of xenophobia and religious intolerance, masked by “anti-misogyny” language, only result in the further enslavement and disenfranchisement of a group they allegedly seek to “free.”
Just this past week, a French waterpark (SpeedWater) in Les Pennes-Mirabeau was sharply criticised for its “Burkini Day,” which sold out. The mayor of two nearby Marseille districts, Valerie Boyer incited protest to this event. In a tweet, she called out anyone who “let” the private event progress as planned as “accomplices.” (Tweet source). Boyer has also alleged, “Accepting this so-called fashion means we accept communalism [communautarisme] in our country.”
It is important to note that Boyer is not a member of the National Front, which has international infamy for its xenophobic platform, but from the more moderate center-right group called The Republicans, which is currently headed by previous French President, Nicholas Sarkozy. Her views are reflective of that party, even when she states that allowing women to wear a burkini “is…a question of women’s dignity, a question of our most fundamental principles.” (Source: BBC )
Most succinctly, a French citizen retorted to reporters, “Today in France, you are free to sell your body but if you just want to hide your curves to go to the beach, it’s a problem and requires a veto. What’s all the fuss about?”
In “free” Western Europe, Muslim women are disempowered and disenfranchised by those who claim that their clothing and fashion choice is incorrect, divisive, or even “unhygienic.” It is a long road to pluralism, and the amount of hate and debate surrounding a simple swimsuit is indicative of the amount of work to be done for Europe to be truly multicultural.
- German town’s ban of the burkini: http://www.express.co.uk/news/world/678469/Christian-mayor-bans-burkini-swimming-pools-complaints-Neutraubling-Germany
- Civic group Smile13’s private “Burkini-Day” event at SpeedWater waterpark: https://www.facebook.com/events/1596181074008464/?active_tab=posts
- BBC’s article covering the negative reaction to Burkini Day: http://www.bbc.com/news/world-europe-36973212
- Valerie Boyer’s tweet condemning the event and those who “allow” it to happen: https://twitter.com/valerieboyer13/status/760817038080311296
- Marks and Spencer sell burkinis despite criticism: http://www.telegraph.co.uk/news/2016/03/30/france-says-marks-and-spencer-burkini-irresponsible/
- My previous engagement on the idea of “communautarisme” in France: “Is France Allergic to Multiculturalism?“
- BBC’s overview of European opinions on the Veil: http://www.bbc.com/news/world-europe-13038095
Pokemon Go fever has lit up the United States and countries around the globe. Several Syrian graphic designers have manipulated scenes from the game to juxtapose the cuddly “pocket monsters” with the horrors of war.
At ground zero, the Revolutionary Forces of Syria is using the game to solicit Western aid. Their media office released a series of photos of children, holding images of pokemon with the caption, “I’m from Kafr Nabl in Idlib province. Come and save me.”
Syrian emigrants abroad are also using the game to bring attention to struggles of Syrian people. In Denmark, Saif Tahhan photoshops the game’s interface to draw a harrowing comparison of the the developed world’s challenge to capture digital images of Japanese fantasy creatures with Syria’s real challenge to capture resources for survival of its citizens. (Image at top.)
In Sweden, another Syrian emigrant, Moustafa Jano, inserts the pocket monsters into images documenting the refugee experience to inspire compassion for those struggling to escape Syria’s bleak and dangerous status quo, only to face barriers when arriving to Europe.
Source for article and graphics: “Pokemon’s Tears for Syria,” BBC http://www.bbc.com/news/blogs-trending-36859636 . Accessed 7/29/2016.
This blog is temporarily on hold from now through the end of the month as my time will be dedicated to working in the social media department of the DNC.
I’ll be back in early August with more blog posts. In the meanwhile, my twitter- @softpowerpunch, will still be active as I’ll be commuting quite a bit.
Today, NHK and BBC are running stories about young adults in politics, but the pictures are very different. In the UK, Millennials are feeling the Brexit burn, while 20-somethings in Tokyo are disengaged from politics and passive towards policy changes.
X-men: Apocalypse was released in North America last month. The film misses the mark on many of its lofty ambitions. The actors are sincere but their characters are not compelling for those who haven’t seen the previous films (recently). The settings and scenes jump from continent to continent, creating a quasi-fast pace for a story that doesn’t make much progress until an hour in. The themes and messages are numerous–too much commentary is conveyed all at once–making the point of the film rather messy until the very end.
However, fans of the series will find it engaging and dense. We see a smooth and thorough development of the characters who play roles in the canonically later films. (This series parallels Star Wars, with a primary canon trilogy being released first, followed by a subsidiary prequel trilogy.)
The biggest missed opportunity would be the inclusion of the lyric version of “Figlio Perduto.” The music from “Allegretto” of Beethoven’s 7th is used in the turning-point of the film and reprised in the credits. However, only classical music buffs will recognize how much depth and context the song adds to not only the emotional scene but also the overarching message of the film.
Linked via the graphic below is a lyric video explaining the significance of the song. Damnit Jim, I’m an analyst and not a videographer, so don’t judge the sophomoric quality of the video. It gets the info across. (Link also here)
Bonus: Cherik lovers will also appreciate Marc Winslow’s music video using a rendition of the song by a male singer and set to clips from “Les amitiés particulières,” a 1984 French GLBT classic film. Link: https://www.youtube.com/watch?v=zPO_nOL9WnA