You probably remember in Fall of 2012 when the French satirical newspaper Charlie Hebdo (Charlie Weekly) gained international notoriety for publishing cartoons of the Prophet Mohammed (including some illustrations of him nude).
Earlier today, three masked gunmen opened fire at this paper’s headquarters in Paris, killing a dozen people and wounding another eleven before speeding away.
According to Al Jazeera America, thousands of people all across Europe have gathered in major cities, holding vigils in solidarity for the lives lost to this terrorist act of violence.
Awareness in the US is also gaining momentum as social media posts on Twitter using the #JeSuisCharlie and #IamCharlie tags, as well as photos of the solidarity rallies coming across posts on tumblr. In the pictures, participants hold up lighted placards declaring that they are “not afraid,” while other groups hold up pens to signify their belief in freedom of expression.
Al Jazeera America: http://america.aljazeera.com/articles/2015/1/7/je-suis-charlie.html
ABC news: http://abcnews.go.com/International/wireStory/je-suis-charlie-message-viral-paris-attack-28064199
This anti-domestic violence (anti-violence against women) video is making its rounds on Tumblr and I expect to see it popping up on my Facebook soon. It’s stimulating a lot of discussion over why men shouldn’t hit women and exploring ways to eliminate the cause of domestic violence. Have a look for yourself:
In the fall of 2008, I was granted the opportunity to conduct research on the influence of art on Franco-American relations in the Bibliotheque Nationale in Paris. My thesis began as a simple intellectual exercise–contrast two French artists from different era whose domestic success carried over to the United States. However, the paper quickly began to evolve as emerging similarities between the two artists proved to be key in their transAtlantic triumph. The final paper outlines a rubric–a set of five criteria–which artists must satisfy in order to have the economic viability and compatibility in both domestic and international markets.
More interestingly, at the time of the research and drafting of the paper, Sony France was conducting a multi-branched initiative to push French chanteuse Camille into US American markets. You’ve heard of Daft Punk. You’ve probably heard of Edith Piaf. You haven’t heard of Camille, and she does not meet my five criteria. If she did meet the criteria, her chances of American success would have increased, at the very least.
This paper serves as the springboard for my subsequent and current research in transnational media, and I am now able to release this paper on this blog.
“Daft Punk and Edith Piaf: Similarities between Two French Artists Famous in the USA”