In the fall of 2008, I was granted the opportunity to conduct research on the influence of art on Franco-American relations in the Bibliotheque Nationale in Paris. My thesis began as a simple intellectual exercise–contrast two French artists from different era whose domestic success carried over to the United States. However, the paper quickly began to evolve as emerging similarities between the two artists proved to be key in their transAtlantic triumph. The final paper outlines a rubric–a set of five criteria–which artists must satisfy in order to have the economic viability and compatibility in both domestic and international markets.
More interestingly, at the time of the research and drafting of the paper, Sony France was conducting a multi-branched initiative to push French chanteuse Camille into US American markets. You’ve heard of Daft Punk. You’ve probably heard of Edith Piaf. You haven’t heard of Camille, and she does not meet my five criteria. If she did meet the criteria, her chances of American success would have increased, at the very least.
This paper serves as the springboard for my subsequent and current research in transnational media, and I am now able to release this paper on this blog.