Earlier this week, the hastag #AintNoCinderella went viral in India following an incident of a young woman being harassed and then victim shamed. Varnika Kundu went out on the town on Friday night, August 4. At the end of the night, she was harassed by two young men who then followed her when she fled in her car, attempting to make her stop and trying to enter her car several times. She wrote about the harrowing experience in a public Facebook post, thanking the police who helped save her from being kidnapped and urged women to be vigilant against attacks. One local politician victim-blamed her by stating that she should not have been out late at night.
Public outcry against misogyny and classism was immediate, and only increased in fervor once it became clear that one of the two young men allegedly involved was the son of another local politician.
The viral hashtag #AintNoCinderella, often accompanied by selfies of young women in clubbing outfits, has become a rallying cry by young Indian women to exercise their basic human right to safety no matter what time of day. Every tweet is a micro-effort to battle violence against women, and the overall effect is bringing to light the persistent issues of classism and sexism in a country that had elected and reelected a female head of state in 1966 and 1980.
Yesterday, the Baltimore Police Department created a new webform for victims of sexual abuse to report “sexual offenses related to the Netflix series, ‘The Keepers’.” This form was promoted via their Facebook and social media with the tag “#TheKeepers”.
Source: RT article Netflix series prompts Baltimore Police to create online form for victims of sexual abuse
While ISIS attacks in Syria escalate, a Syrian-American is dropping truth bombs in music form. Mona Haydar, a Syrian-American who first attracted international attention in 2015 with her “Ask a Muslim” interviews, recently released “Wrap my Hijab,” a pop rap song with lyrics that invoke women’s empowerment and global sisterhood. The chorus lifts up “women [of] every shading,” while the final verse joins together “Somalis,” “Iraqis,” “Punjabis,” “Egyptians, Canadians, and Americans” who still “wrap [their] hijabs.” Tumblr is exploding with clips of the song and “Wrap my Hijab” is on track to become an anthem for unity and women’s empowerment.
While tumblr and social media are particularly resonate on the “make a feminist planet” soundbite and the lyrics are positive, upbeat and uplifting, the grating zurna accompaniment may be a barrier for this tune ever getting radio play or breakthrough popularity. On the other hand, this musicvideo echoes the call for peace and reconciliation not only in war-torn Syria, but in countries across the globe where culture wars continue to divide and destroy global citizenship.
Read more about Mona Haydar and her new single:
No really. This is not an April Fools joke.
Acrush is a group of young Chinese women gathered together to appeal to the boy-band, pop-idol demographic that has previously been dominated by young men from Japan and Korea. China has long been trying to improve its public image and ameliorate the reputation of having a staunchly conservative and controlled artistic sphere.
Acrush, however, is not the first androgynous women on the music scene. In the early 2000s, Han Hong crossed over from folk music to pop charts with her song Heaven’s Road (天路 ), about the trans-Tibetan railroad. Hong’s signature masculine/androgynous style caused a very negative reaction, which can be partially attributed to rumors of her being a homosexual. (Homosexuality was officially attributed to mental illness until 2001.)
Acrush’s agent and publicist has been very careful to remark that the young singers in the group are not attracted to the women whom their image is designed to attract. While Acrush may be challenging traditional sexual identities that have confined Chinese women, they are simultaneously reinforcing traditional sexualities.
Acrush promotional photo from their American Twitter account.
Update 4/7/17: Many news sites are referring to Acrush as “genderless.” It’s important to note that the band are calling themselves “meishaoshian” 美少年, which is denotatively a gender neutral term for “beautiful young person,” but connotatively refers to beautiful young boys. It’s also noteworthy that the Mandarin terms for he (他) and she (她) are phonetically identical (tā).
Update 4/8/17: As much viral attention Acrush has been getting, China’s major news network, CCTV, has not mentioned Acrush in any articles.
“We don’t discriminate against people based on what countries they come from — we discriminate against them based on their age and weight,” Jimmy Kimmel stated in his opening monologue. His audacious claim whizzes right by racism and sexism– Racism being the elephant in the room that magically stole the card for “Best Picture -Moonlight” in an unprecedented Academy slight towards a critically-acclaimed film.
Despite the historic amount of “black” films being nominated (18, with 5 winning,) there is real, constructive criticism about how “black” these films really are. A look at the white directors, white producers, white writers, and a majority of white crew behind the cameras of these and virtually all the other films nominated reveals that we are not as far in fighting racism as we would like to see ourselves.
A perfect example of this racism erasure is the insertion of a fictional white saviour into Hidden Figures, as pointed out by Da’Shawn Mosley. While this film is acclaimed for its historical accuracy, the white screenwriter of Ms. Margot Lee Shetterly’s book decided to take creative license in making it more palatable to white audiences. In his adaptation, the boss, Al Harrison, takes a crowbar to the segregated bathroom at NASA and also invited Katherine Johnson to the control room to view the historic space flight. In reality, and in Shetterly’s book, these doors remained closed to Ms. Johnson for the entirety of her career at NASA.
While we have seen a sweep of nominations of films with black protagonists this year, I can only wonder if we will see a “white-lash” as we have recently in culture, politics, and society. First with the Hugo awards. Then with the post-Obama white-lash that carried and inflamed (still ignites) xenophobic violence across the US. Now we have a step in the right direction for Hollywood, and one can only hope that we do not see a similar pattern of push-back.
- Transcript of Jimmy Kimmel’s opening monologue for the 2017 Oscars, http://www.hollywoodreporter.com/news/jimmy-kimmel-s-opening-monologue-transcript-oscars-2017-980304
- “A discussion of Blackness in 2016 films and this year’s Oscars,” facilitated by Foundry UMC’s Racial Justice Ministries Team. Panelists: Tim Gordon, Oscar-winner Russell Williams II
- “Hidden Racism” by Da’Shawn Mosley, https://sojo.net/articles/hidden-racism
The journalist and feminist political activist submitted a scathing critique of the state of film today in its portrayal of women. This article ran today and raised eyebrows–and awareness– to the celluloid dismissal and demeaning of women.
Read the article: https://www.nytimes.com/2017/03/02/opinion/gloria-steinem-women-have-chick-flicks-what-about-men.html?smid=tw-share
Swedish-based, multinational corporation Ikea recently announced multiple support programs for immigrant workers at USA-based stores. This reaction may prove to be one of many private sector responses to harsh policies we are expecting from the new administration.
Their announcement has been made public. Read it here.
ABC News has been monitoring and reporting on the situation in Syria since peaceful protests, inspired by the Arab Spring, escalated into civil war in 2011. More recently, concerns of the impact of war on the civilian population, particularly children, have been the focus of international media and war journalists. Despite a call for increased transparency into war torn areas and the need for aid organizations to be permitted there, many times foreign entities, including press or NGOs, are turned away at the border.
Since this past January, ABC News has been texting with a 30 year old, mother of five who lives in the sieged town of Madaya. This “Madaya Mom” has been an informant for ABC News, giving journalists glimpses into her daily life via text message as she tries to secure food for her children, waits eagerly for UN involvement, and simply tries to ensure the survival of her family in devastating circumstances.
After their video crews were turned away from Madaya a final time, ABC News decided to go a different route to bring visual representation to the story of “Madaya Mom,” which has been documented like a diary on their website. The news conglomerate reached out to Marvel Comics, the graphic novel company who is responsible for the Avengers, Iron Man, and Captain America franchises, to create a visual accompaniment to Madaya Mom’s story. Instantly invested in the idea, Marvel was eager to go “where the cameras can’t.” They recommended Deadpool and Avengers: Civil War artist Dalibor Talajić, who survived the Yugoslav wars in the early 1990s and currently resides in Zagreb, Croatia, to draw the scenes from Madaya Mom’s life “with skill and authenticity.”
Perhaps it is in response to the ever growing list of casualties of young African American men and women at the hands of law enforcement that choreographer Tobias Ellehammer crafted a superb dance video that inspires hope and global togetherness. “Black or White,” accompanied by the eponymous and iconic Michael Jackson hit, combines a diverse set of dancers with international settings. Watching the video, one sees modern dancers integrate flowing movement with crisp staccato snaps and pop locks progressing from dancer to dancer but also from city to city, with notable backgrounds including Moscow’s Red Square, the Sydney Opera House, and Dubai’s famous skyline.
“Black or White” is gaining traction as a viral video. The perfected dance, camera, and location moves make it as visually appealing as the upbeat theme of the video–antiracism and joy in collaborative unity–delivering a more hopeful outlook to all who watch it.
The debate over the rights of women to wear modest, full-body swimwear is spreading like wildfire over social media and news sites. Twitter and Facebook posts reached a fever-pitch after a well-documented incident involving a French Police officer ordering and forcing a woman to disrobe on a beach. Images and commentary are trending across all platforms, and mainstream media including CNN and the New York Times are offering more in depth journalism on the topic. The Times article interviews the Australian designer of the Burkini, who defends her design. She is not alone–Italian author Barbie Latza Nadeau examined the duplicitous nature of the argument, pointing out that Catholic Nuns have never been shunned from beaches for wearing conservative garments while enjoying the sea and sand.
Worldwide outrage and censure of the “Burkini Ban” continue to gain momentum, and the tide does not seem to be turning anytime soon.
Facebook: Image of French Police Officer and Woman he ordered to disrobe https://www.facebook.com/Thei100/photos/pcb.986202944825665/986202511492375/?type=3&theater
Twitter: “The Burkini Ban is Sexist and This Poignant Tweet Shows Why Its So Awful” http://www.bustle.com/articles/180372-the-burkini-ban-is-sexist-this-poignant-tweet-shows-why-its-so-awful?utm_source=facebook&utm_medium=owned&utm_campaign=feminismbustle
New York Times article “Burkini is ‘Freedom and Happiness’ Australian Inventor Says” http://www.nytimes.com/2016/08/25/world/australia/burkini-ban-france-aheda-zanetti.html?_r=0
CNN: “Police in Nice Force Woman to Remove Part of Clothing” http://www.cnn.com/2016/08/24/europe/woman-burkini-nice-beach-incident-trnd/
Italian Author for The Daily Beast: “Where is the Outrage over Nun Beachwear”