I’m presenting 2 panels at Awesome Con this weekend in Washington DC.
#1 Friday, 4:00 PM – “Good Omen’s Good Theology” room 140
#2 Saturday, 5:00 PM – “Supernatural: Bible Canon vs Bible Fanon” room 140 again.
Both are with Rev. Will Green from Foundry UMC. (email@example.com )
Hope to see you there!
PS Once the formal copyright comes through, we’ll have the material from these presentations published on this site.
Many New Zealander women are wearing headscarves today out of respect for those killed in the Christchurch shootings. After consulting the Islamic Women’s Council of New Zealand and the Muslim Association of New Zealand, Dr. Thaya Ashman organized the Headscarves for Harmony campaign which invited all women to wear headscarves in a allowing a show of solidarity in the aftermath of the shootings. Is in inappropriate for non-Muslim women to wear headscarves? “I can promise you it will not be disrespectful” writes Mavash Ali in in an opinion piece in The Spinoff, an online NZ politics and culture magazine.
“This is us” proclaims Toby Morris, a white New Zealander graphic artist. His most recent comic dissects precipitating microaggressions, political actions, and popular inaction and purposeful ignoring of the growing Islamophobia, xenophobia, and white supremacy in their country. “This is us” is a rallying cry for a truly inclusive unity that requires a mindshift of every level of society.
A cropped sample of the This is Us webcomic.
Read “This is Us” here: https://thespinoff.co.nz/society/18-03-2019/this-is-us/
I have a new job at the global Commission on Religion and Race on Capitol Hill. My writing will be intermittent as I adjust to this new position.
Earlier this week, the hastag #AintNoCinderella went viral in India following an incident of a young woman being harassed and then victim shamed. Varnika Kundu went out on the town on Friday night, August 4. At the end of the night, she was harassed by two young men who then followed her when she fled in her car, attempting to make her stop and trying to enter her car several times. She wrote about the harrowing experience in a public Facebook post, thanking the police who helped save her from being kidnapped and urged women to be vigilant against attacks. One local politician victim-blamed her by stating that she should not have been out late at night.
Public outcry against misogyny and classism was immediate, and only increased in fervor once it became clear that one of the two young men allegedly involved was the son of another local politician.
The viral hashtag #AintNoCinderella, often accompanied by selfies of young women in clubbing outfits, has become a rallying cry by young Indian women to exercise their basic human right to safety no matter what time of day. Every tweet is a micro-effort to battle violence against women, and the overall effect is bringing to light the persistent issues of classism and sexism in a country that had elected and reelected a female head of state in 1966 and 1980.
Yesterday, the Baltimore Police Department created a new webform for victims of sexual abuse to report “sexual offenses related to the Netflix series, ‘The Keepers’.” This form was promoted via their Facebook and social media with the tag “#TheKeepers”.
Source: RT article Netflix series prompts Baltimore Police to create online form for victims of sexual abuse
While ISIS attacks in Syria escalate, a Syrian-American is dropping truth bombs in music form. Mona Haydar, a Syrian-American who first attracted international attention in 2015 with her “Ask a Muslim” interviews, recently released “Wrap my Hijab,” a pop rap song with lyrics that invoke women’s empowerment and global sisterhood. The chorus lifts up “women [of] every shading,” while the final verse joins together “Somalis,” “Iraqis,” “Punjabis,” “Egyptians, Canadians, and Americans” who still “wrap [their] hijabs.” Tumblr is exploding with clips of the song and “Wrap my Hijab” is on track to become an anthem for unity and women’s empowerment.
While tumblr and social media are particularly resonate on the “make a feminist planet” soundbite and the lyrics are positive, upbeat and uplifting, the grating zurna accompaniment may be a barrier for this tune ever getting radio play or breakthrough popularity. On the other hand, this musicvideo echoes the call for peace and reconciliation not only in war-torn Syria, but in countries across the globe where culture wars continue to divide and destroy global citizenship.
Read more about Mona Haydar and her new single:
No really. This is not an April Fools joke.
Acrush is a group of young Chinese women gathered together to appeal to the boy-band, pop-idol demographic that has previously been dominated by young men from Japan and Korea. China has long been trying to improve its public image and ameliorate the reputation of having a staunchly conservative and controlled artistic sphere.
Acrush, however, is not the first androgynous women on the music scene. In the early 2000s, Han Hong crossed over from folk music to pop charts with her song Heaven’s Road (天路 ), about the trans-Tibetan railroad. Hong’s signature masculine/androgynous style caused a very negative reaction, which can be partially attributed to rumors of her being a homosexual. (Homosexuality was officially attributed to mental illness until 2001.)
Acrush’s agent and publicist has been very careful to remark that the young singers in the group are not attracted to the women whom their image is designed to attract. While Acrush may be challenging traditional sexual identities that have confined Chinese women, they are simultaneously reinforcing traditional sexualities.
Acrush promotional photo from their American Twitter account.
Update 4/7/17: Many news sites are referring to Acrush as “genderless.” It’s important to note that the band are calling themselves “meishaoshian” 美少年, which is denotatively a gender neutral term for “beautiful young person,” but connotatively refers to beautiful young boys. It’s also noteworthy that the Mandarin terms for he (他) and she (她) are phonetically identical (tā).
Update 4/8/17: As much viral attention Acrush has been getting, China’s major news network, CCTV, has not mentioned Acrush in any articles.
“We don’t discriminate against people based on what countries they come from — we discriminate against them based on their age and weight,” Jimmy Kimmel stated in his opening monologue. His audacious claim whizzes right by racism and sexism– Racism being the elephant in the room that magically stole the card for “Best Picture -Moonlight” in an unprecedented Academy slight towards a critically-acclaimed film.
Despite the historic amount of “black” films being nominated (18, with 5 winning,) there is real, constructive criticism about how “black” these films really are. A look at the white directors, white producers, white writers, and a majority of white crew behind the cameras of these and virtually all the other films nominated reveals that we are not as far in fighting racism as we would like to see ourselves.
A perfect example of this racism erasure is the insertion of a fictional white saviour into Hidden Figures, as pointed out by Da’Shawn Mosley. While this film is acclaimed for its historical accuracy, the white screenwriter of Ms. Margot Lee Shetterly’s book decided to take creative license in making it more palatable to white audiences. In his adaptation, the boss, Al Harrison, takes a crowbar to the segregated bathroom at NASA and also invited Katherine Johnson to the control room to view the historic space flight. In reality, and in Shetterly’s book, these doors remained closed to Ms. Johnson for the entirety of her career at NASA.
While we have seen a sweep of nominations of films with black protagonists this year, I can only wonder if we will see a “white-lash” as we have recently in culture, politics, and society. First with the Hugo awards. Then with the post-Obama white-lash that carried and inflamed (still ignites) xenophobic violence across the US. Now we have a step in the right direction for Hollywood, and one can only hope that we do not see a similar pattern of push-back.
- Transcript of Jimmy Kimmel’s opening monologue for the 2017 Oscars, http://www.hollywoodreporter.com/news/jimmy-kimmel-s-opening-monologue-transcript-oscars-2017-980304
- “A discussion of Blackness in 2016 films and this year’s Oscars,” facilitated by Foundry UMC’s Racial Justice Ministries Team. Panelists: Tim Gordon, Oscar-winner Russell Williams II
- “Hidden Racism” by Da’Shawn Mosley, https://sojo.net/articles/hidden-racism
The journalist and feminist political activist submitted a scathing critique of the state of film today in its portrayal of women. This article ran today and raised eyebrows–and awareness– to the celluloid dismissal and demeaning of women.
Read the article: https://www.nytimes.com/2017/03/02/opinion/gloria-steinem-women-have-chick-flicks-what-about-men.html?smid=tw-share